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Adobe CS5.5 Production Premium Student and Teacher Edition [Mac] Reviews

Adobe CS5.5 Production Premium Student and Teacher Edition [Mac]

Adobe CS5.5 Production Premium Student and Teacher Edition [Mac]
The Adobe Creative Suite 5.5 Production Premium for Macintosh is a collection of applications that includes Adobe Premiere Pro, After Effects, Photoshop CS5 Extended, Adobe Audition, Flash Catalyst, Flash Professional, Illustrator, Adobe OnLocation, Encore, Device Central, Bridge and Media Encoder. It also integrates with CS Live online services. Delivering better efficiency and speeding up your video production workflow, the Creative Suite 5.5 Production Premium provides native 64-bit operating system support that allows you to utilize all the RAM on your system and work fluidly on HD and higher resolution projects. The Mercury Playback Engine in Premiere Pro can offer astounding performance with or without GPU acceleration, on both desktops and laptops (Mac OS). The GPU-accelerated features in Photoshop Extended accelerate image cropping, color picking and brush treatments. Formats such as DV, HDV, RED, DPX, Sony XDCAM, XDCAM 50, XDCAM EX and XDCAM HD, Panasonic P2, DVCPRO HD, AVCHD, AVC-Intra and footage from DSLR cameras can be edited as it offers a broad format support in Adobe Premiere Pro. You can also swiftly transcode or rewrap media. Intermediate rendering is eliminated, as it features deep integration, roundtrip editing and Dynamic Link and you can refine assets between After Effects, Premiere Pro and Encore. The Roto Brush in After Effects enables you to separate moving foreground elements from their backgrounds in fewer steps. Dual-system sou

Adobe Creative Suite 5.5 Production Premium

Create video for virtually any screen using high-performance production tools
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A completely new high-performance audio engine takes full advantage of multicore processors to make Adobe Audition CS5.5 an even more powerful all-in-one editing and mixing environment. View larger.

Tackle any production challenge and deliver video to virtually any screen with breakthrough performance, the industry’s best file-based workflow, and streamlined collaboration.

What is Adobe Creative Suite 5.5 Production Premium?

Adobe Creative Suite 5.5 Production Premium is the high-performance leader in video production software. Produce your best work with game-changing innovations like the Adobe Mercury Playback Engine and the industry’s most efficient post-production workflow.

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You can send Adobe Premiere Pro clips and sequences to Adobe Audition for advanced audio editing and restoration, then roundtrip back to Adobe Premiere Pro.

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Like Adobe Premiere Pro, Audition can exchange projects with Final Cut Pro and other NLEs, to simplify integration with larger workflows.

Key Features

Take advantage of breakthrough, cross-platform performance in Adobe Creative Suite 5.5 Production Premium, the leader in video production software. Produce your best work with game-changing innovations like the Adobe Mercury Playback Engine in Adobe Premiere Pro and the industry’s most efficient post-production workflow. Tightly integrated best-of-breed video, animation, compositing, audio, and design tools provide the creative features and toolsets you need to accelerate your production workflow and deliver high-quality results.

Top Reasons to Buy Adobe Creative Suite 5.5 Production Premium

Best-of-breed production tools–Get best-of-breed video, motion graphics, compositing, audio, and design tools packed with innovations that accelerate production workflows, inspire creativity, and help deliver high-quality productions to virtually any screen.

Native 64-bit operating system support–Work fluidly on HD and higher resolution projects using all the RAM on your system thanks to native 64-bit operating system support in Adobe After Effects, Adobe Premiere Pro, and Adobe Photoshop Extended.

Breakthrough performance with the Adobe Mercury Playback Engine–Experience fast effects processing and rendering on both laptop and desktop computers with the native 64-bit, multicore, GPU-accelerated Adobe Mercury Playback Engine in Adobe Premiere Pro.

Broad format support in Adobe Premiere Pro–Maximize the efficiency of your file-based workflow and edit virtually any format including DV, HDV, RED, DPX, Sony XDCAM, XDCAM 50, XDCAM EX and XDCAM HD, Panasonic P2, DVCPRO HD, AVCHD, AVC-Intra, and footage from DSLR cameras.

Groundbreaking motion graphics with After Effects–Create motion graphics and visual effects with industry-standard After Effects. Combine moving and still imagery, graphics, and text in 2D or 3D space. Animate practically any aspect of each element, and add sound for virtually any result you can imagine.

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After Effects displays a frame overlay to show that it’s automatically analyzing the shot–the first step in stabilization.

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Warp Stabilizer offers considerable control over the automated result without creating actual keyframes in the timeline. The Subspace Warp option, chosen by default, performs pixel analysis to correct for motion artifacts including parallax shifts. View larger.

Rich 2D and 3D images with Photoshop Extended–Magically remove objects with Content-Aware Fill in Photoshop CS5 Extended. Paint with lifelike brush strokes and use creative 3D tools. Roundtrip images and motion-based content to Adobe Premiere Pro, After Effects, and Adobe Encore.

Advanced audio-for-video editing in Adobe Audition–Record, edit, mix, master, and sweeten audio with Adobe Audition CS5.5–now available for both Mac and Windows. Roundtrip edit with Adobe Premiere Pro CS5.5, or use OMF and XML to speed up project exchange with Avid Pro Tools and other NLEs.

Fast, more reliable encoding for multiple devices–Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing.

Timesaving integration–Save time on every project thanks to a familiar user interface; deep integration; roundtrip editing; and Dynamic Link, which eliminates intermediate rendering as you refine assets between After Effects, Adobe Premiere Pro, and Encore.

Compatibility with large-scale workflows–Work with multiple NLEs thanks to roundtrip editing between Adobe Premiere Pro and Final Cut Pro or Avid NLEs. Leverage industry-standard formats such as AAF, EDL, OMF, and XML to integrate with a variety of systems.

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To make it easier to output your work to virtually any video and device format, the new Adobe Media Encoder user interface includes three sections–the Queue pane, the Current Encode pane, and the Watch Folders pane. View larger.

Integrated metadata for faster post-production–Develop scripts or outlines with Adobe Story, an Adobe CS Live online service. Leverage metadata acquired in production to search assets and dialogue and edit faster. Create searchable web DVDs to make assets discoverable online.

Integration with CS Live online services–Collaborate with the Adobe Story, a powerful scriptwriting tool, a CS Live online service. Initiate reviews and collect feedback on dailies, storyboards, and works in progress with Adobe CS Review, a CS Live online service, and Acrobat.com.

Vector graphics with Illustrator–Import native Adobe Illustrator artwork into After Effects with layers, masks, blend modes, gradients, and effects intact. After Effects can continuously rasterize vector shapes for smooth edge detail at any size.

Interactive design–Create interactive designs with Adobe Flash Catalyst or Flash Professional. Use Flash Catalyst for content such as simple video portfolios, or use powerful controls in Flash Professional to add video content to interactive experiences.

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Bokeh blur is the natural result when light highlights appear in the defocused area of an image, but many blur features don’t account for this. The depth-of-field effects on the right bring focus to the face by making the foreground appear defocused. View larger.

With Adobe Creative Suite 5.5 Production Premium, you can:

Work faster. Adobe Creative Suite 5.5 Production Premium takes the breakthrough performance delivered in Creative Suite 5 and makes it more accessible; in Adobe Premiere Pro CS5.5, expanded support for mobile and desktop video cards brings Adobe Mercury Playback Engine GPU acceleration to a wider selection of systems, including Windows laptops for editing in the field. Edit with a highly efficient keyboard-driven workflow, and boost productivity with dual-system sound support and other timesaving features suggested by users. Adobe CS5.5 Production Premium gives you new flexibility when working with RAW digital cinema files and other file-based footage in After Effects CS5.5 and Adobe Premiere Pro CS5.5, building upon the industry’s best file-based workflow which eliminates transcoding and rewrapping while preserving the pristine quality of your footage. 64-bit Adobe Media Encoder CS5.5 simplifies multiscreen delivery–with new, intuitive presets and contextual menus that let you set up sequences once for batch encoding to multiple formats such as PCs, smartphones, and television, while you continue editing.

Craft great stories with game-changing creative innovation. Adding to the groundbreaking Roto Brush feature that After Effects CS5 introduced, the new Warp Stabilizer gives you options for improving the quality of handheld footage; Camera Lens Blur lets you control which parts of a scene are in focus; and Light Falloff enables you to manage how light behaves in a 3D scene. Improve your audio workflow and get best-in-class editing and multitrack mixing tools, powerful sweetening options, and rock-solid performance using Adobe Audition CS5.5–available for the first time on Mac OS, as well as Windows.

Collaborate efficiently. Easily integrate CS5.5 Production Premium with existing workflows, whether you’re part of a small workgroup or a large-scale enterprise. Move projects back and forth more easily between Adobe Premiere Pro and Adobe Audition, and other NLEs such as Apple Final Cut Pro. Adobe Story, an Adobe CS Live online service for collaborative script writing, now directly integrates with Adobe Premiere Pro and helps you create metadata-rich, production-ready assets. New presets in Adobe Media Encoder make it easier to send sequences to Adobe CS Review, another CS Live online service, making it easier for you to get feedback from clients and teammates on works in progress.

Adobe Creative Suite 5.5

Make an impact through print, video, and digital experiences for virtually any device and platform. With powerful new creative tools, enhanced performance, simple workflows, and support for cutting-edge standards like HTML5 and EPUB 3, Adobe Creative Suite 5.5 software helps you create rich content for virtually any media. Whether you need to produce printed pages, create high-end video, or design and distribute engaging interactive content for the latest smartphones and tablets, Creative Suite 5.5 is ready to help you boost productivity and keep pace with your creative vision.

Design Premium Design Standard Web Premium Production Premium Master Collection
DESIGN PREMIUM DESIGN STANDARD WEB PREMIUM PRODUCTION PREMIUM MASTER COLLECTION
Design Professionals
Print Designers; Print Professionals
Web Designers; Web Developers; Interactive Designers
Web Professionals; Motion Graphics Artists; Broadcasters
Graphic Design Professionals; Web and Interactive Design Professionals; Video and Broadcast Professionals
Adobe Photoshop CS5 Extended
Adobe Photoshop CS5
Adobe Illustrator CS5
Adobe InDesign CS5.5
Adobe Acrobat X Pro
Adobe Flash Catalyst CS5.5
Adobe Flash Professional CS5.5
Adobe Flash Builder 4.5 Premium
Adobe Dreamweaver CS5.5
Adobe Fireworks CS5
Adobe Contribute CS5
Adobe Premiere Pro CS5.5
Adobe After Effects CS5.5
Adobe Audition CS5.5
Adobe OnLocation CS5
Adobe Encore CS5
ADDITIONAL COMPONENTS
Adobe Bridge CS5
Adobe Device Central CS5.5
Adobe Media Encoder CS5.5
Adobe Dynamic Link
INTEGRATES WITH ADOBE CS LIVE ONLINE SERVICES

Adobe CS5.5 Production Premium Student and Teacher Edition [Mac]

  • Video-production software–create video for virtually any screen
  • Accelerate video-production workflow with enhancements in speed and efficiency
  • Tightly integrated best-of-breed video, animation, compositing, audio, and design tools
  • Game-changing innovations like Adobe Mercury Playback Engine
  • Collaborate efficiently; ultra-efficient post-production workflow
  • Tightly integrated best-of-breed video, animation, compositing, audio, and design tools Game-changing innovations like Adobe Mercury Playback Engine
  • Video-production software–create video for virtually any screen Accelerate video-production workflow with enhancements in speed and efficiency


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2 Comments

  • RedTerrier "Extended Mags" says:
    4 of 4 people found the following review helpful:
    5.0 out of 5 stars
    Film Students, this is the package to get!, January 6, 2012
    By 
    RedTerrier “Extended Mags” (Los Angeles, CA) –
    Amazon Verified Purchase(What’s this?)
    This review is from: Adobe CS5.5 Production Premium Student and Teacher Edition [Mac] (DVD-ROM)

    For a quick review, here it is: Works exactly like the retail/pro version, has all the plugins/extras/functionality you’d expect, but costs 75% less! All you have to submit is a valid student ID or college transcript, and they release a code to unlock the software. Usually takes about 3 days to receive, and you’re good to go as far as your imagination will take you.
    UPDATE: No watermarks or education restrictions! You can use this edition for commercial work now…thanks to Laura from the comments.
    http://www.adobe.com/sea/special/education/students/studentteacheredition/faq.html

    Now, if you want a longer review, continue reading:
    CS5.5 is the best bang for your buck in the industry, and I say that as someone who has dealt with film/TV workflows on a daily basis. I was a live-and-die Final Cut guy for much of that time, and had always thought that Final Cut Studio was the best software value that was also professionally capable. That all changed with Final Cut X; Apple has effectively neutered FCX to the point that it is un-workable in a offline/online environment. A year ago, the studio I was at bought 2 seats for Adobe CS5.5; a year later they’ve got 12.
    CS5.5 is an amazing package, in that everything works seamlessly together and also plays nicely with most outside programs. I’ll give a quick breakdown of programs we use: motion graphics and vfx compositing.
    -Photoshop: If you don’t have photoshop, please stop reading and buy Photoshop Elements to give it a whirl. It’s the greatest image editor/digital painter/photo retoucher/logo designer available, and has been the industry standard for over 15 years. Every studio needs it, and every artist needs to know it.
    -Illustrator: Quite possibly the best thing to make logos and titles for designers, it is also quite ubiquitous with motion graphics. In a collaborative environment, most artists will know a bit of illustrator for its excellent vector tools and flexible design options.
    -After Effects: The single greatest program for motion graphics, it’s the only thing worth mentioning for a do-it-all compositing/animation/mographics tool. The plugins and online community are stronger and more varied than any other program on the market, and if you are good work will find you.
    -Mocha: A side program that comes packaged with AE, it’s actually one of the greatest rotoscoping/tracking tools in the industry. AE was never the greatest roto tool in the bunch, but with mocha it is a fully functioning paint/roto powerhouse. You can export shapes and masks into AE and 99% of them will be done quicker than what you can achieve in just AE.
    -Premiere: Once the weak sister of the digital (or non-linear) editing packages, Premiere was redesigned a few years back and basically copied final cut’s interface and functionality. That’s not a bad thing; since apple botched up FCX, this is basically FC9, which is what everyone was waiting for anyway. It’s a solid editor now, and the mercury playback engine is actually quite fast for real-time playback of huge, high res files. It’s very indie-friendly too, running most DSLR and RED files natively without a lot of crazy conversion. And, amazingly, it still exports EDLs and works with AJA and matrox cards.
    -Flash: Really tough to learn, but an amazingly flexible animation tool, great for both web animations or full on cartoons, I can’t use it that well so I’ll leave that to someone who is a pro. Usually an animator.
    -Audition, Encore, etc.: Very functional DVD creation and audio sweetening tools, again we don’t use these on a daily (or weekly) basis, since we are a visual effects studio we send this work out to other shops. However, these programs are fully integrated into the Premiere timeline and after effects, which means that if you tweak something in after effects or another program it will update into your dvd project or sound project. Excellent for 1-man-shops, or freelancers.
    -Adobe media encoder: A true hidden gem, we ran some tests on the adobe media encoder on an 8-core mac vs. apple compressor batch on the same mac. Needless to say, in most cases the adobe media encoder (which is truly 64-bit and takes advantage of hyper threading) was faster and in some cases by quite a lot. It also integrates seamlessly into the suite.

    There are a few other pieces, including adobe bridge for viewing media in a hub-like environment and OnLocation, which lets you sort metadata and add markers and comments as you shoot. These programs are more production oriented, but are still handy and value-added.
    Overall, this package will give you every tool you need to be a fully functional post production studio, and if you’re a student or religious organization, this is definitely the way to go. Although it pains me to turn my back on Apple software, for now, this is the choice for my money.

    Oh yes, in case you were wondering I’ve…

    Read more

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  • Aaron Dill says:
    3 of 3 people found the following review helpful:
    2.0 out of 5 stars
    Student Discount Problems, January 13, 2012
    By 
    Aaron Dill (Oregon) –
    (REAL NAME)
      

    This review is from: Adobe CS5.5 Production Premium Student and Teacher Edition [Mac] (DVD-ROM)

    I would strongly suggest to anyone trying to get an Adobe student discount, use your student ID. Don’t waste your time doing it any other way. Adobe doesn’t tell you that if you submit a school receipt, it will have to be on a school letterhead, including all pertinent information and then including a school stamp. Yes they treat even cashiers receipts similar to an official transcript.

    I ordered the production premium discount package through customer service and I asked specific questions about what I would need if I didn’t have an ID. They told me in was acceptable to send in a printed class receipt. I placed the order and received Adobe’s answer in 2 days. They said they couldn’t accept the receipt because they couldn’t verify the institutions name. That didn’t make any sense because the name and address were clearly on the printout. So I called Adobe customer service again and they told me that the receipt would need to be on letterhead. I then cancelled the order because it’s almost impossible to get a receipt on school letterhead from the cashiers office. It might be possible through registration, only after spending an hour in line, getting hold of the right person and watching them print out the receipt and get everything correct. What a stupid process. If I try to purchase anything through Adobe at a student discount again, I will get myself a school ID. This is probably the easiest way.

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